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The Royal "We"
Filed under: Looked Into Tagged: Chicago Manual of Style, copy editing, grammar, TOTT, usage
Q. I am writing a thesis for my university and use the pronoun “we” instead of “I.” For example, “From this, we can conclude that . . .” I personally think this looks more scientific than using the “I” pronoun. However, a colleague of mine states that if I am the only one writing the thesis and doing the research, I should use “I,” because otherwise readers might wonder who else wrote the document. Do you know which one is better to use in my case?
A. “We” used to be more common in scholarly writing than it is now. The British use it more than Americans do. CMOS recommends using “I,” but if the literature in your field avoids this, you should follow suit. Either way, it’s fine to use “we” when referring to something that author and readers are implicitly doing together, as in your example.
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Some writing by Emily Gordon
- Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
- Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
- Proposal: A better-looking MetroCard (for A Brief Message)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: Does a redesign of The New Republic mean a change of tune? (for Print)
- Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
- Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
- Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
- Review: Charles Dickens by Jane Smiley (for Newsday)
- Review: Jayber Crow by Wendell Berry (for Print)
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Report: The New Yorker's redesigned website (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Review: The Complete New Yorker (for Print)
- Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
- Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Interview: Edward Gorey (for Newsday)
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Comments
Will Leitch, the editor of Deadspin, Gawker's sports blog, uses the royal we consistently, even in posts that are blatantly first-person narratives about things he's done, and it's a pretty funny technique. This oldie-but-goodie post about his trip to a sad Dennis Rodman book signing has some great examples:
http://deadspin.com/sports/nba/deadspin-field-trip-rodmans-book-signing-136572.php
Example: "We leaned over to her and asked if she wanted our jacket." The cumulative effect is pretty funny, especially because when he's writing more typical blog posts about sporting events that he hasn't participated in, it doesn't come off as a weird tic at all, and yet he's really just consistent about it.
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