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Maybe We'll Witness Tony and Tina's Wedding After All

Filed under: Eds. Tagged: Harold Ross, musicals, Princess Diana, theater, Tina Brown

Martin Schneider writes:

So they want to turn Tina Brown’s biography of Princess Diana into a musical. Over at Gawker, readers are busy casting the musical—mostly with people who never stray from film or TV. (I love that “NOOOO!” department.) It would be the first time a New Yorker editor has inspired a musical since Andrew Lloyd Webber’s legendary flop Ross!

I think the only rational response is to think up silly song titles. I came up with a few to get us started:

“Royal Love Train”
“Balmoral Hazard”
“Shy Di”
“Squidgygate”
“Raine, Raine, Go Away”
“The War of the Waleses” (medley)
“The 42 Longs”
“I’m Just Looking For a Guy with a Gulfstream”
“Hasnat Khan a Lovely Smile?”
“The Royal Oui”
“Mama and Paparazzi”
“That’s an Awful Lot of Flowers”
“The People’s Princess”

Got any to add to the list? (And just kidding about Ross!)

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About us

Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.

You'd like to know more about the writers and artists and what our column titles mean? We live to serve!

We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.

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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.

Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.

The site was designed by House of Pretty with illustrations by Jesse R. Ewing.

Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

Other writing by Emily Gordon

Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Interviews: four up-and-coming designers under 30 (for Print)
Profile: novelist and dance critic Laura Jacobs (for Newsday)