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Filed under: The Katharine Wheel: On Fiction Tagged: audio, Benjamin Chambers, fiction, Hilton Als, Jean Stafford, newyorker.com, podcasts
For those of you who, like Ishmael, are suffering from a damp, drizzly November in your soul and require a strong moral principle to prevent you from deliberately stepping into the street and methodically knocking people’s hats off, I’ve got just the thing: this month’s fiction podcast from The New Yorker features a reading of Jean Stafford’s story “Children Are Bored on Sundays,” which appeared in the magazine in 1948.
I was surprised and pleased to see Stafford singled out. Although many of her stories have not dated well, she wrote some gems that have endured. I wouldn’t have chosen “Children,” but I can see why Als finds it emblematic of her work, as well as personally meaningful. Perhaps for the next podcast he’ll go with my own favorite, “In the Zoo.”
(By the way, I wonder why Als chose the story? I thought only fiction writers chose stories for the fiction podcast, but Als, a staff writer and theater critic for the magazine, isn’t a fiction writer, as far as I know. Maybe there’s a surprise in store for us.)
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Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Reviews: theater writing (for Time Out Chicago)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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