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Designing Woman Tina Brown

Filed under: Eds. Tagged: Bernard Schoenbaum, cartoons, Charles Barsotti, circulation, design, Jack Ziegler, Rea Irvin, Tina Brown, typography

From today’s New York Post (via MediaBistro): “Tina Brown has turned to legendary avant-garde design firm Number 17 to handle her new yet-to-be-named Web venture, a news-aggregation service that is being backed by her longtime friend, media mogul Barry Diller.” I can attest both to No. 17’s design acumen and their laudable foosball hosting and playing skills.

Elsewhere in design, journalism and political science double major (and keyboard player) Teddy Applebaum, given the challenge of a mock blow-in card, struggled among various versions of Rea Irvin’s New Yorker typeface and their cost (“oodles of cash”), and had to settle for a poor imitation. Occasional spelling oversights aside, I think the kid’s got something, don’t you?

Speaking of blow-in cards, there was an eloquent defense of them in Wired some months ago that I keep thinking about, and not just because of the witty execution. It seems the cards really bring in the dough, and in these uncertain times, that’s something we’ve got to support (as this Jack Ziegler cartoon suggests), right? Or at least not judge too harshly, especially when in the forest, which could probably use more edifying reading material, anyway.

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About us

Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.

Want to know more about the people who contribute to Emdashes, and the secret meanings behind our column titles? All about us.

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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.

Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.

The site was designed by House of Pretty with illustrations by Jesse R. Ewing.

Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

Other writing by Emily Gordon

Reviews: theater writing (for Time Out Chicago)
Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Interviews: four up-and-coming designers under 30 (for Print)
Profile: novelist and dance critic Laura Jacobs (for Newsday)