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How Do You Say "Gently Sir" in Japanese?

Filed under: Looked Into Tagged: cartoons, George Price

Martin Schneider writes:

If this video doesn't make you think of George Price, well, it certainly should.

As a reminder, a few classic cartoons from Price's "crammed subway" period:

"All right, boys -- break it up!" (February 25, 1939)

"Gently, sir. It's Mother's Day." (May 11, 1940)

"Somebody did my crossword puzzle!" (December 11, 1943)

That first one is a favorite of Emily's, the second a particular favorite of mine. (We've discussed all of this already, natch.)

1 comments

Comments

Wow. I guess it's Mother's Day every day in Tokyo, huh? Hiring guys in white gloves to shove people inside the railway carriages must be cheaper than buying more cars for the train ...

Benjamin ChambersMay 07, 2008

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Who she?

I'm Emily Gordon, reachable at emily@emdashes.com.

I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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