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More Lorrie Moore and Louise Erdrich
Filed under: The Katharine Wheel: On Fiction Tagged: books, fiction, Lorrie Moore, Louise Erdrich, newyorker.com, podcasts
Not too long ago, I raved about the podcast of Lorrie Moore's story "Dance in America," which was featured in April on the New Yorker website. Guess that was well timed, because The Collected Stories of Lorrie Moore has recently been published. If you're late to the Lorrie Moore party (if that's quite the right word for her hilarious but sad style), you should check out this excellent review.
Meanwhile, Louise Erdrich, who did a stellar job reading and discussing Moore's story in the podcast, has also come out with a new novel, The Plague of Doves, which has gotten some intriguing reviews. You can read the first chapter at The New York Times or, of course, at TNY, where it first appeared as a story with the same title. I haven't read either version yet, but I noticed the opening lines differ slightly.
In fact, it looks like all of Erdrich's recent TNY stories made it into her new novel. Pluto, North Dakota, where Doves is set, was also the setting for her superb story "Demolition," which I praised at length a couple of months ago, and one of the novel's main characters is the subject of "The Reptile Garden," one of the better stories TNY has published this year. That the latter should turn out to be part of The Plague of Doves didn't surprise me, since it felt more like part of a novel than a short story, but "Demolition" worked so well on its own that I'm curious how Erdrich integrated it into something longer. Now I've just got to read the book....
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Other writing by Emily Gordon
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World; PDF, p. 20)
- Feature: Rea Irvin: visionary art director, man about town, and New Yorker founding father (for Print)
- Report: Learning to read with comic books--that are edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Proposal: a better-designed Metrocard (for A Brief Message)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Micro-essay: on saving time through inspiration (for A Brief Message)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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Comments
I've wondered how this works - given the long lead time needed to produce a book (or an issue of TNY) I suspect these were not short stories woven into the book, but chapters separated from the book and made to stand on their own.
Hi Stephen - I'm sure in many cases, you're right. Shirley Hazzard, for example, almost definitely works the way you suggest. The stories she published in TNY that ultimately appeared in The Transit of Venus were almost word-for-word as they appeared in the eventual novel, and while they actually stand on their own quite well, you can tell they're done, and it's likely that she published them after she'd finished the entire novel.
But some authors may develop their novels only after working them through in smaller pieces, stories they may rework substantially for the longer work. Seems only natural that it would depend on the author's particular creative process.