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New Yorker Fiction and the Text-Image Relationship

Filed under: Little Words Tagged: design, fiction, photography, Tina Brown

Martin Schneider writes:

On his blog Lined & Unlined, designer and writer Rob Giampietro provides an occasion to reflect on the evocative illustrations that accompany New Yorker short stories in these post–Tina Brown times.

His Flickr set of New Yorker fiction openers is a terrific resource as well.

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

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Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
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Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
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Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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