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Say Cheese: The Writerly and the Photogenic

Filed under: Little Words Tagged: books, Dana Goodyear, John McPhee, photography, politics

Martin Schneider writes: Here's a curious Flickr group dedicated to author photos of New Yorker people. If you've always wondered what John McPhee or Dana Goodyear look like (I didn't know), this is worth a look. Note: Loyal reader ZP of I Hate the New Yorker (who recently wrote about all the mentions of Roy Cohn, in prose and cartoons, through the years of The New Yorker) told us about this ages ago, but we lost track of it somehow.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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