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Art News: A Wall of Schjeldahl, and Niemann Wows Us (Again)

Filed under: Eustace Google Tagged: art, Christoph Niemann, design, Peter Schjeldahl, subways

We knew New Yorker art reviews were huge, but this huge? Via the Tomorrow Museum, news of an ersatz Peter Schjeldahl art review, “Canal Street Swoons,” with classic New Yorker layout (more or less) and all, on a Brooklyn building. C-Monster, whose Flickr link this is, writes,

Proving that there’s never any shortage of excitement in the small and entertaining world of New York City street art, some super-meta conceptual type decided to paste a fake New Yorker critique about street art on the side of some building in Brooklyn. The prankster even attributed the “review” to the magazine’s art critic, Peter Schjeldahl.

I’m all for spoofing mainstream media, but, sadly, this piece doesn’t live up to its promise. For one, anybody who is gonna spoof the New Yorker better be able to deliver on the turn-of-phrase. This does not. (Sample sentence: “There is no sacrifice to putting this work on the street. That’s the street game, duh.”) On the content side, things don’t fare too well either. Someone risked arrest to let us know that there’s a visual kinship between the work of Swoon, Gaia and Elbow-Toe.

I was very excited, however, to see that a long-time New Yorker staple—the European beret advert, at bottom right—made it into the piece. I like to believe that everyone who works for the New Yorker wears one of these when they write.

And now, Christoph Niemann the Great on his subway-obsessed kids. If this doesn’t become a children’s book soon, the numberless Arthurs and Gustavs of the five boroughs will have a tantrum that will stop the system in its tracks.

Thanks to J.M. and J.G., respectively, for these links. They are fabulous.

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About us

Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.

You'd like to know more about the writers and artists and what our column titles mean? We live to serve!

We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.

We host occasional book giveaways. Publishers, please email us for our postal address.

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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.

Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.

The site was designed by House of Pretty with illustrations by Jesse R. Ewing.

Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

Other writing by Emily Gordon

Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Interviews: four up-and-coming designers under 30 (for Print)
Profile: novelist and dance critic Laura Jacobs (for Newsday)