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Google, Apple Bat Eyelashes at New Yorker

Filed under: Looked Into Tagged: Apple, design, environment, Google, iPhone, Jim Surowiecki, movies, newyorker.com, penguins, technology

As well they should, really. Occasionally people ask me if I'm a "media watchdog." In this context, no--I gave at the office. Maybe more like a watch Golden Retriever, or possibly Norton Juster's Tock. Anyway, Google's new wikiblogthing, Knol, gives users a way to legally use New Yorker cartoons in posts ("authors are allowed to use one cartoon from The New Yorker magazine per article"), and its inventor, Udi Manber, is a major fan of the cartoons in The New Yorker. What's more, one of the new iPhone ads features the magazine's website, showing off how nice it looks in that shiny, happy, my-birthday-is-September-12 device. I saw another iPhone demo recently in which March of the Pengins played a prominent role, and how perfect are those penguins and their ice for the iPhone screen? We will ignore, for the time being, the fact that both birds and habitat are likely doomed, because we (meaning I, in this case) were Appleized from too early an age to ever rethink different, so there.

Thanks to everyone who's written to me about these news items today! By all means, keep sending us any relevant tips you come across; we can't read our Google Alerts all day, because there are just too freaking many of them, and besides, the wisdom of crowds!

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Who we?

Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

Some writing by Emily Gordon

Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
Proposal: A better-looking MetroCard (for A Brief Message)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: Does a redesign of The New Republic mean a change of tune? (for Print)
Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
Review: Charles Dickens by Jane Smiley (for Newsday)
Review: Jayber Crow by Wendell Berry (for Print)
Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Report: The New Yorker's redesigned website (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Review: The Complete New Yorker (for Print)
Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Interview: Edward Gorey (for Newsday)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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