Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
Ask the Librarians archive
About Emdashes | Email us
Features & Columns:
Headline Shooter
On the Spot
Looked Into
How extraordinary that Emily chose this evening to post about Peter J. Boyer. I, too, listened to that podcast today, and I, too, enjoyed it.
I found one aspect of the interview puzzling. The subject of the article is the phenomenon of Keith Olbermann as an outlet for liberal rage, and what that phenomenon is doing to MSNBC and, by extension, NBC News. In no way do I mean it as a criticism of Boyer or The New Yorker to wonder how it was that the name "Brian Williams" wasn't mentioned once in the podcast.
I like Williams--I think he's my "favorite" anchor--but, as a category, that has about as much meaning these days as a preference for Ann Landers over Dear Abby. But it's a curious testimony to ... the newfound irrelevance of anchors? the ineffectual tenure of Williams himself? I'm not sure.
I went back and looked at the article. Sure enough, there's plenty of stuff about Brokaw, the "hall monitor" of the sprawl—the entire story is structured as the battle between Olbermann and Brokaw for the very soul of NBC News—but just a few bland references to Williams.
I guess Williams has a tough job; he's angling for attention smack in the middle of a gaggle of on-air personalities that, on all of those recent primary election nights anyway, included Brokaw, Olbermann, Chris Matthews, Tim Russert, Chuck Todd, and who knows who else. I admire Williams's stated commitment to making NBC News more "transparent"; perhaps, in the rush for Keith's ratings, that directive has not gotten the attention it ought; such, anyway, appears to be Boyer's thesis. Or maybe for all of Williams's persuasive suavity, he's not so good at being the center of attention—odd trait, for an anchorman.
Agree? Disagree? Post a comment!
Hello! We're a small band of culture writers and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
Want to know more about the people who contribute to Emdashes, and the esoteric meanings behind our column titles? All about us.
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Our favorite things | Compliments and press
Looking for The New Yorker magazine? Kudos on your classy taste. Here's how to contact The New Yorker.
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Everything you tell or send us is off the record unless we ask for your permission to use it.
Comments
Were you suggesting that Williams himself was maybe a bit too … transparent?