Emdashes. The New Yorker between the lines

Best of Emdashes: Hit Parade
Weekly: Pick of the Issue
Bimonthly: Ask the Librarians

Submit a question for the next column.

Frequently:
Headline Shooter
Seal Barks
Eustace Google
Looked Into

The Squib Report
X-Rea: Irvin Type Watch
Letters & Challenges
On the Spot
Eds. | Personal

The Wavy Rule, a Daily Comic by Paul Morris: Tmesis Junction, What's Your Function?

Filed under: The Catbird Seat: Friends & Guests Tagged: cartoons, comics, punctuation, The Wavy Rule

Paul writes about today's "Wavy Rule":

What's tmesis exactly? Well, as one definition goes, "a tmesis is the separation of a word into two, for the purpose of inserting another word between the separated parts..." (John Carey, Latin Prosody Made Easy, 1808, p. 195). The word "tmesis" comes from a Greek word meaning "to cut," and the figure of speech is found in ancient Greek and Roman poetry. But as a linguistic phenomenon, its use has continued, finding its way in Ned Flanders' "Wel-diddly-elcome" and the "La-dee-freakin'-da" of Chris Farley's Matt Foley character. Both examples were provided by the Wiki-freakin'-pedia article on the subject, found here.

More by Paul Morris: Our very own upside-down question-mark naming contest! Plus, "The Wavy Rule" archive; a very funny webcomic, "Arnjuice"; a motley Flickr page; various beautifully off-kilter cartoon collections for sale and free download at Lulu.

0 comments

Post a comment

(If you haven't left a comment here before, it may need to be approved by the site owner before your comment will appear. Thanks for waiting.)

Your name

Your email address

Your website address

Remember personal info?

Your comments

Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

Affinities | Blurbs

We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.

Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

The Rossosphere