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The Wavy Rule, a Daily Comic by Paul Morris: Tilley Meets His Maker

Filed under: The Catbird Seat: Friends & Guests Tagged: art, cartoons, comics, Eustace Tilley, Lee Lorenz, Rea Irvin, The Wavy Rule

As you might expect, since I just spent a number of months collecting material for a piece about Rea Irvin for PRINT, I am in love with all things Irvin. Paul--whom I thank in the piece because he's shared numerous invaluable resources and insights with me about Irvin's aesthetic--is as keen on the early years' co-genius as I am. About this cartoon, he writes: "Inspired by the photograph of Irvin in Lee Lorenz's wonderful The Art of The New Yorker. A must read." I agree. Sweet Knopf: Please bring it back into print! Click to enlarge.

More Paul Morris: "The Wavy Rule" archive; his very funny webcomic, "Arnjuice," a motley Flickr page, and beautifully off-kilter (and freely downloadable) cartoon collections at Lulu.

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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