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The Wavy Rule, a Daily Comic by Paul Morris: Thurber's Teapot

Filed under: The Catbird Seat: Friends & Guests Tagged: Barry Blitt, cartoons, comics, James Thurber, Miguel Covarrubias, Paul Morris, Peter Arno, The Wavy Rule, video

What's there to say about this assembly of teapots drawn in the style of New Yorker cartoonists except: This makes me incredibly happy? Click to enlarge. Feel free to submit your own, particularly if you are, in fact, a New Yorker cartoonist. Write your own Barry Blitt joke here.

More Paul Morris: "The Wavy Rule" archive; his very funny webcomic, "Arnjuice," a motley Flickr page, and beautifully off-kilter (and freely downloadable) cartoon collections at Lulu.

3 comments

Comments

The bottom one is Arno's. And it's not a teapot

Michael ShawJuly 15, 2008

That may be true, Michael, and you can't accuse Arno of flip-flopping!

PaulJuly 16, 2008

How do you know this is a teapot? It could well be a garden hose!

CarmenJuly 16, 2008

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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