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The Wavy Rule, a Daily Comic by Paul Morris: Indiana Jones & a Reverse Turing Test

Filed under: The Catbird Seat: Friends & Guests Tagged: cartoons, comics, history, Paul Morris, The Wavy Rule

Today, Paul captures an ancient captcha in hieroglyphic captivity. Are you human? No need to prove it--just click to enlarge.

More Paul Morris: "The Wavy Rule" archive; a very funny webcomic, "Arnjuice," a motley Flickr page, and various beautifully off-kilter (and freely downloadable) cartoon collections at Lulu.

3 comments

Comments

Great work, Paul! I love to read your cartoons, I find them really funny.

CarmenJuly 21, 2008

I loved this one, Paul - I didn't leave a comment because I feel like I should say something besides, "Great!" But then I figured you'd probably want to hear it than not ...

Benjamin ChambersJuly 23, 2008

Thanks, Benjamin! I appreciate that. I enjoy reading The Katharine Wheel.

PaulJuly 23, 2008

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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