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The Wavy Rule, a Daily Comic by Paul Morris: Hot Type, Baby

Filed under: The Catbird Seat: Friends & Guests Tagged: cartoons, comics, Nicholson Baker, sex, The Wavy Rule, typography

Everyone knows typography is sexy, and the Vox-talkin' knockouts in the latest edition of Paul Morris's daily comic for Emdashes, "The Wavy Rule," prove it beyond a doubt. Click to enlarge!

More Paul: the "Wavy Rule" archive; "Arnjuice," a webcomic; his Flickr page; cartoon collections for download at Lulu. If you have a suggestion for a cartoon, New Yorker-related or otherwise, email us and we'll pass it along.

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Who we?

Emdashes, founded December 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages.
Learn more about us and our contributors.

Affinities | Blurbs

We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.”

Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to our hearts.

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Founded by Emily Gordon, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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