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Aleksandr Solzhenitsyn, 1918-2008
Filed under: In Memoriam Tagged: Aleksandr Solzhenitsyn, David Remnick, events, in memoriam, Russia, William Maxwell
David Remnick, the editor of The New Yorker, who has written extensively about the Soviet Union and visited Mr. Solzhenitsyn, wrote in 2001: "In terms of the effect he has had on history, Solzhenitsyn is the dominant writer of the 20th century. Who else compares? Orwell? Koestler? And yet when his name comes up now, it is more often than not as a freak, a monarchist, an anti-Semite, a crank, a has been."Speaking of greats, here's the writeup of the William Maxwell celebration at Madison Square Park the other day, by our friend Ron Hogan.
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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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