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The Wavy Rule, a Daily Comic By Paul Morris: The Surreal Life

Filed under: The Catbird Seat: Friends & Guests Tagged: art, books, cartoons, comics, Federico Garcia Lorca, Spain, The Wavy Rule

Here's Paul on today's filial and aromatic cartoon (click to enlarge!):

I dedicate this cartoon to my dad, C. Brian Morris, whose life's work has been on Spanish surrealism. He is the author of such books as Surrealism and Spain 1920-1936, This Loving Darkness: The Cinema and Spanish Writers, 1920-1936, and Son of Andalusia: The Lyrical Landscapes of Federico Garcia Lorca.

More by Paul Morris: Enter our exciting contest to name the upside-down question-mark! Entries accepted until August 25. Plus, "The Wavy Rule" archive; "Arnjuice," a wistful, funny webcomic; a smorgasbord of multimedia at Flickr; and beautifully off-kilter cartoon collections for sale and free download at Lulu.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

The New Yorker
Events listed by the magazine
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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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