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The Wavy Rule, a Daily Comic By Paul Morris: Our Man O'Malley

Filed under: The Catbird Seat: Friends & Guests Tagged: art, books, cartoons, comics, contests, Crockett Johnson, illustration, punctuation, The Wavy Rule

An important message from "The Wavy Rule": Don't forget to enter the Emdashes contest to name the upside-down question mark! We're accepting submissions through this Monday, August 25. ¿Can you best the entries that have already been posted? There's only one way to find out! Back to our regularly scheduled program; Paul writes of today's aerodynamic cartoon:

Mr. O'Malley was the product of Crockett "Harold and the Purple Crayon" Johnson's imagination, and a character in Johnson's "Barnaby." Mr. O'Malley, a fairy godfather, was a member in good standing of the Elves, Leprechauns, Gnomes, and Little Men's Chowder & Marching Society, ran for Congress, worked as a Wall Street tycoon, and smoked Havana cigars. A great resource on Barnaby and Crockett Johnson can be found at Philip Nel's site. Click to enlarge!

More by Paul Morris: "The Wavy Rule" archive; "Arnjuice," a wistful, funny webcomic; a smorgasbord at Flickr; and beautifully off-kilter cartoon collections for sale (and free download) at Lulu.

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
Proposal: A better-looking MetroCard (for A Brief Message)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: Does a redesign of The New Republic mean a change of tune? (for Print)
Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
Review: Charles Dickens by Jane Smiley (for Newsday)
Review: Jayber Crow by Wendell Berry (for Print)
Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Report: The New Yorker's redesigned website (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Review: The Complete New Yorker (for Print)
Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Interview: Edward Gorey (for Newsday)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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