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The New Yorker Pays Tribute to David Foster Wallace
Filed under: In Memoriam Tagged: David Foster Wallace, Deborah Treisman, fiction, In Memoriam
Martin Schneider writes:
On the New Yorker website, fiction editor Deborah Treisman contributes a thoughtful postscript about David Foster Wallace. I particularly like that Treisman discusses Wallace from her perspective as a fiction editor. He made ample reference in his footnotes to his bouts of intractability when it came to having his work edited, and the glimpses Treisman permits us into that process sound very consistent with that.
Wallace's four works published in The New Yorker are also available:
"Several Birds," June 27, 1994
"An Interval," January 30, 1995
"Asset," June 21, 1999
"Good People," February 5, 2007
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
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Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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Comments
Thanks for this, Martin. You’re right: the glimpse into Deborah Treisman offers into Wallace’s attitudes about the craft and his own work is revealing, and different from anything else I’ve seen.
I will say, though, that I’m surprised any of his work appeared on Treisman’s watch. I’ll have to check it out.