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Paul writes: “From Despotism to Destination” was the name of an interesting article by Ben Carmichael for the February 2008 issue of Print. Carmichael explored how countries came up with branding campaigns to make themselves attractive to tourists. Myanmar, and its corrupt and repressive regime, has not done the same; the cartoon is my own leap into the unknown. Incidentally, Emily has pointed out that The New Yorker has been running Spanish tourism ads with the tagline “Smile! You are in Andalucia.” We weren’t sure why it’s “You are” instead of “You’re.” Any theories on that would be appreciated.
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Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
And technically, it should be “Andalusia,” since that’s the English spelling of “AndalucĂa.” Hm, the ads don’t carry the accent on “Andalucia” either, so it’s doubly wrong. And what’s the dad’s hurry anyway? Can he wait for his little tyke to catch up while he gallops down the Seville streets in search of Iberian pleasures?