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The Wavy Rule, a Daily Comic by Paul Morris: If You're Going to Naypyidaw
Filed under: The Catbird Seat: Friends & Guests Tagged: Ben Carmichael, Burma, George Packer, Myanmar, Paul Morris, The Wavy Rule
Paul writes: "From Despotism to Destination" was the name of an interesting article by Ben Carmichael for the February 2008 issue of Print. Carmichael explored how countries came up with branding campaigns to make themselves attractive to tourists. Myanmar, and its corrupt and repressive regime, has not done the same; the cartoon is my own leap into the unknown. Incidentally, Emily has pointed out that The New Yorker has been running Spanish tourism ads with the tagline "Smile! You are in Andalucia." We weren't sure why it's "You are" instead of "You're." Any theories on that would be appreciated.
Read "The Wavy Rule" archive.
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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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Some writing by Emily Gordon
- Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
- Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
- Proposal: A better-looking MetroCard (for A Brief Message)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: Does a redesign of The New Republic mean a change of tune? (for Print)
- Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
- Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
- Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
- Review: Charles Dickens by Jane Smiley (for Newsday)
- Review: Jayber Crow by Wendell Berry (for Print)
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Report: The New Yorker's redesigned website (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Review: The Complete New Yorker (for Print)
- Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
- Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Interview: Edward Gorey (for Newsday)
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Comments
And technically, it should be "Andalusia," since that's the English spelling of "Andalucía." Hm, the ads don't carry the accent on "Andalucia" either, so it's doubly wrong. And what's the dad's hurry anyway? Can he wait for his little tyke to catch up while he gallops down the Seville streets in search of Iberian pleasures?