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The Wavy Rule, a Daily Comic by Paul Morris: Age of Aquarius

Filed under: The Catbird Seat: Friends & Guests Tagged: Barack Obama, John McCain, Paul Morris, The Wavy Rule

Paul writes: I suppose we should be grateful that McCain "cleared things up" after a woman remarked that Obama was an "Arab" instead of proclaiming: "He sure is! Straight from Arabland, somewhere east of prissy, socialist Europe!" Of course, the two are not mutually exclusive, as this country is home to more than a million Arab Americans. McCain should have mentioned that too, but the Republicans, those nabobs of negativity, are more than happy to encourage people to think that Obama is somehow not wholly American. The ignorance that led this woman to call Obama an "Arab" is understandable, but these hate rallies also have people yelling "traitor." Where does that come from? What is the justification for that charge?

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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