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The Wavy Rule, a Daily Comic by Paul Morris: Dr. No and Dr. I-Couldn't-Agree-More

Filed under: The Catbird Seat: Friends & Guests Tagged: Ian Fleming, James Bond, John McCain, Paul Morris, The Wavy Rule

Paul writes: You've seen the billboards for the new Bond film, and maybe, like me, you've wondered what the meaning of "Quantum of Solace" is. This was the name of a short story by Sir Ian Fleming, but the plot of the film has no similarity to that of the short story. The name sounds mysterious enough to intrigue moviegoers, I suppose. Beverly Hills Chihuahua, by the way, delivers exactly what you'd expect.

Click on the cartoon to enlarge it! Read "The Wavy Rule" archive.

3 comments

Comments

Heh. My favorites are the "date between two physicists," and Dr. I-Couldn't-Agree-More.

Benjamin ChambersOctober 27, 2008

I love the nonplussed expressions on the faces of the Bond girls.

MartinOctober 28, 2008

Thanks, guys!

PaulOctober 30, 2008

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded and micromanaged by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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