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Just under the wire, Dorothy Wickenden and her insightful colleagues have contributed their last (I assume) edition of the “Campaign Trail” podcast before the bulk of the votes are cast tomorrow (absentee voters, of which I am one, still have about a week to get their ballots in). It’s an unusually loose session, and a lot of fun: it emerges that the trio has a common history at The New Republic during the Reagan-Bush years. (Hertzberg was editor, Wickenden managing editor, and Toobin frequent contributor.)
Which leaves us with a question: Wickenden closes out the podcast with a reference to a post-election episode of the podcast—I should hope so!—but what is the fate of the series once the “campaign” part of the title ceases to apply? Will it revert to a more mellow podcast devoted to politics in general, or will they pack it up until late 2011? (Or perhaps late 2010, for the midterms.) I could see merit in either decision (while selfishly contending that the process of laying down the foundations of the post-Bush era demands as much, if not more, attention by our nation’s podcasters). We’ll find out soon enough!
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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