Apart from my parents, there are two people most responsible for whatever success I’ve found in writing and journalism. One is Katha Pollitt. The other is John Leonard, who I’ve just learned has died. He was loquacious and brave, extravagant and rigorous, profound and mischievous, demanding and incredibly generous. He believed in older writers’ service to younger ones and put his money where his mouth was. He knew more than a football field of literati. His sentences were outrageous Cyclone rides, until later in his life and in his illness, when they settled down a little in syntax, if not in erudition and clarity.
I will miss him.
Later: Andrew Leonard, John’s son, read a “eulogy for my father’s words,” at John’s memorial service on March 2, 2009, and the eulogy is now on Salon. It was one of many moments that made up an evening worthy of John’s greatness of spirit and boundlessness of language.
Do read Scott McLemee (another believer in those overlapping categories, books and justice), Hillary Frey, and Jane Ciabattari at the National Book Critics Circle’s Critical Mass (which is collecting more remembrances as they appear) on the loss of John.
And in honor of his irresistible passion for juicy word combinations, here’s the title of a book he published in 1999, and a link so you can buy it (and I hope you do): When the Kissing Had to Stop: Cult Studs, Khmer Newts, Langley Spooks, Techno-Geeks, Video Drones, Author Gods, Serial Killers, Vampire Media, Alien Sperm-Suckers, Satanic Therapists, and Those of Us Who Hold a Left-Wing Grudge in the Post Toasties New World Hip-Hop. From the Times obituary: “The comma seemed to have been invented expressly for him.”
Tom Nissley at Omnivoracious has written a graceful tribute. This sentence from his post was hard to read but deeply good to know: “I know he managed to get to his polling place to vote in New York on Tuesday, and I hope he was able to appreciate the results of the night.” Laura Miller’s remembrance in Salon includes the doubly astute observation, “To say John Leonard was a reviewer at heart is to pay a great compliment to a profession that currently seems to be limping toward an undeserved obsolescence.” And: “Unlike most of his colleagues, he never burned out, never grew bitter or nasty about the books.”
Art Winslow, another force in my Nation years who gave me a leg up for which I’ll always be amazed and grateful, writes in the L.A. Times: “In a literary sense, he took it as his mission to drive the money-changers from the temple and to feed the multitudes, or at least try.”
At The New Yorker’s Book Bench blog, Ligaya Mishan quotes John from his Harvard Crimson years, on “Ginsberg and his fellows”: “In a critical sense, we academicians know these men as psychopaths, and perhaps they are. They believe in sensuality, not sense; in thrill, not mere experience.”
Which made me think of a story John once told about leaving the Crimson office at near-dawn after a long closing night, with the snow falling on the Boston streets making his footsteps almost completely still, when suddenly he heard a voice singing so sweetly it couldn’t possibly be human. It was a very young Joan Baez, maybe at Club 47, where my mother also saw her perform around that time, and John went inside and listened till she stopped singing—it was that beautiful.
I also just remembered that it was John who told me about the scene in Renata Adler’s Speedboat in which a tour guide on a bus full of visitors to the city calls out, pointing at the protagonist, “Look, there’s one of them now!” And how he always identified with that sense of targeted mystery, wondering what the world makes of you, what they think you are. I hadn’t seen him in a while, just heard bulletins, read Meghan O’Rourke’s excellent profile in CJR, and was my usual optimistic, time-senseless self. The world of words is poorer, and so is mine.
Hello! I’m Emily Gordon, an editor, critic, copywriter, and internet lover since 1992. Emdashes, born in 2004, spent its formative years as a New Yorker fan blog. (The project garnered some nice compliments and press.) It’s now a collection of conversations—generally civilized—about punctuation, magazines, movies, design, and other things that stir me.
Over the years, I’ve worked with a small army of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
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