Emdashes. Modern Times Between the Lines.
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Renata Adler: Finally, Some Insight into the "Dime" Mystery
Filed under: Eustace Google Tagged: Renata Adler, Robert Birnbaum
In 2004, Robert Birnbaum interviewed Renata Adler at The Morning News; unsurprisingly, the matchup of these two idiosyncratic people produced an interesting, wide-ranging, scattershot interview touching on many aspects of writing and reporting and publishing.
My colleague Benjamin Chambers has twice expressed befuddlement at Adler’s inability to quote the last line of her own novel Speedboat accurately. The line Adler mangled, in her book Gone: The Last Days of The New Yorker, runs as follows: “It could be that the sort of sentence one wants right here is the kind that runs, and laughs, and slides, and stops right on a dime.”
With this in mind, here’s the sentence that jumped out at me: “I have this quirk, this neuroticism, [pause] this habit … of editing all the way down to the wire and past.”
So that’s it. She was just editing past the wire again!
About us
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Tell me more
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
Blogroll highlights
- Box Office Boffo
- World of Pollux
- Jonathan Taylor
- Carolita Johnson
- Songs for blogroll lovers (more links)
- Follow us on Twitter
- Befriend us on Facebook
- Get a t-shirt at the Emdashes store
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