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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

• Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
• Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
• Proposal: A better-looking MetroCard (for A Brief Message)
• Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
• Review: Does a redesign of The New Republic mean a change of tune? (for Print)
• Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
• Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
• Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
• Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
• Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
• Profile: screenwriter and novelist Joe Keenan (for Newsday)
• Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
• Review: Charles Dickens by Jane Smiley (for Newsday)
• Review: Jayber Crow by Wendell Berry (for Print)
• Report: Learning to read with comic books edited by Françoise Mouly (for Print)
• Report: The New Yorker's redesigned website (for Print)
• Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
• Review: The Complete New Yorker (for Print)
• Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
• Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
• Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
• Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
• Interview: Edward Gorey (for Newsday)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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