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The Chicagoan: "No Obeisance to Park Avenue, Mayfair, or the Champs Elysees"

Filed under: Looked Into Tagged: Chicago, Matt Weiland, Neil Harris, The Baffler, The Chicagoan, The New York Times, The New Yorker

Jonathan Taylor writes:

I only just happened on this New York Times Book Review piece from a couple weeks ago, about The Chicagoan, a short-lived magazine launched in 1926 in ardent imitation of The New Yorker. (The article is by Matt Weiland, late of that Chicago institution The Baffler--or still of it? What is up with The Baffler, anyway?)

The University of Chicago Press is putting out a hefty coffee table book about the magazine, which was seemingly forgotten until some issues were unearthed by historian Neil Harris at the university's Regenstein Library. Harris notes that The Chicagoan was "an effort to counter the city's negative reputation" as "a place of raw commerce and crime--brawny, philistine, vulgar, and violent."

A gallery of Deco-mad covers and other images, PDFs from the book, including a lot more interior pages of the mag, and an interview with Harris, are at the publisher's site. It's all just too much to digest here. The attractions are clear: Be off, and be back to discuss!

1 comments

Comments

Thanks for pointing this out, Jonathan. There was a spread on this in the U of C alumni magazine that I received a few weeks back - my eye was arrested by the images, but alas, I failed to read it.

Benjamin ChambersDecember 06, 2008

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
Proposal: A better-looking MetroCard (for A Brief Message)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: Does a redesign of The New Republic mean a change of tune? (for Print)
Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
Review: Charles Dickens by Jane Smiley (for Newsday)
Review: Jayber Crow by Wendell Berry (for Print)
Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Report: The New Yorker's redesigned website (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Review: The Complete New Yorker (for Print)
Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Interview: Edward Gorey (for Newsday)

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