Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
Ask the Librarians archive
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Features & Columns:
Headline Shooter
On the Spot
Looked Into
Martin Schneider writes:
I don't think it's much of a secret that The New Yorker occupies some unusual cultural turf. The New Yorker is known for high quality and also, sometimes, disliked or resented for occupying its position so confidently or unapologetically. As a result you often run into people avowing their dislike for the magazine even as they acknowledge its high quality in the very same breath. One form this takes is disgust over the high piles of worthy issues that amass in the corners of subscribers' apartments and cause pangs of guilt—an odd reproach at best, and yet understandable.
Yesterday I noticed that one of our nation's finest political bloggers, native Manhattanite and current Washingtonian Matthew Yglesias, had twittered, "Going to give in and subscribe to The New Yorker." That piqued my interest, so I wrote him and inquired what constituted "giving in." Below is his reply—I think it captures a certain paradoxical love/hate attitude towards The New Yorker as well as anything I can think of.
I'm a hater by instinct, and everyone's great love for the New Yorker ("everyone" here meaning, of course, the kind of people I know) has left me sullen and resentful for years because, honestly, it's not as good as people say. But over these past few months of roommateless living when I haven't been able to ever, ever poach a glance at someone else's copy I've been finding something . . . missing from my life. Like really I like the magazine more than I care to admit. So I broke down and subscribed.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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