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Fighting the Plague of Our Time: the Ban Comic Sans Movement
Filed under: Headline Shooter Tagged: Comic Sans, Dave Combs, Emily Fleet, fonts, Holly Sliger, Pollux, typography, Vincent Connare
Pollux writes:
One reads alarming statistics sometimes. The increase in the number of gigantic Burmese pythons in Florida, the growing rate of sea-ice shrinkage, the country’s unemployment rate.
Here’s another statistic that will chill your blood: by approximately 2018, usage of the Comic Sans font will have surpassed usage of the Helvetica and Times New Roman fonts. By 2030, Comic Sans will be the only remaining font. All other fonts will be extinct and will go the way of grunge and post-grunge lettering.
These are the statistics provided by the Ban Comic Sans movement, which has sprung up in reaction to the Comic Sans typeface, originally designed by Vincent Connare. Connare, as reported in this Wall Street Journal article by Emily Fleet, is not exactly against the movement against his typographic baby, and is certainly fonder of one of his other creations, the Magpie font.
Originally designed in 1994, Comic Sans has become the bête noire of the typography world but sometimes it has been a superhero, as seen in this humorous video, and sometimes a dim-witted creature with a lisp.
Holly Sliger and Dave Combs, the husband-and-wife team who started the Ban Comic Sans movement and man the typographic barricades, offer merchandise, font alternatives, and oratory on their website to inspire us all:
“By banding together to eradicate this font from the face of the earth we strive to ensure that future generations will be liberated from this epidemic and never suffer this scourge that is the plague of our time.”
About us
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
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Tell me more
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
Blogroll highlights
- Box Office Boffo
- World of Pollux
- Jonathan Taylor
- Carolita Johnson
- Songs for blogroll lovers (more links)
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