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Follow the New Yorker Summit on Their Blog, Twitter -- and Ours
Filed under: New Yorker Festival Tagged: New Yorker Summit
Martin Schneider writes:
The New Yorker is posting updates to their News Desk blog, here. (You can follow The New Yorker's Twitter updates here or follow the #tnysummit hashtag.)
Emily is there, and we are hoping to have some tweets from her today as well.
Who we?
Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
No fear: Everything you say or send is off the record unless we ask for your permission to use it.
This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
Some writing by Emily Gordon
- Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
- Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
- Proposal: A better-looking MetroCard (for A Brief Message)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: Does a redesign of The New Republic mean a change of tune? (for Print)
- Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
- Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
- Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
- Review: Charles Dickens by Jane Smiley (for Newsday)
- Review: Jayber Crow by Wendell Berry (for Print)
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Report: The New Yorker's redesigned website (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Review: The Complete New Yorker (for Print)
- Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
- Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Interview: Edward Gorey (for Newsday)
More clips.
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
Primary sources
The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.
Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
The Rossosphere
- Resistance Is Fertile
- Mick Stevens: I Really Should Be Drawing
- Cartoonist Michael Maslin's homepage
- Alex Ross: The Rest Is Noise
- Sasha Frere-Jones
- Matthew Diffee's HuffPo blog
- The New Yorker Magazine in the 1930s
- The essential Jane Grant
- Paul Noth's Pale Force
- The New York Public Library records
- New Yorker Comment
- Chiasmus in The New Yorker
- Wikipedia: The New Yorker
- New Yorker database
- The New Orcer
- Silence of the City
- Between the Squibs
- Blog About Town
- Newyorkette
- New Yorker Anti-Caption Contest
- The New Yorker Forums
- I Hate the New Yorker
- Ben Yagoda's homepage
- Access My Library
- New Yorker haiku
- Modern Spectator
- Map: Caption Contest Winners
- Technorati: New Yorker
- Link to suggest? Email it!
Comments
Martin, I thought it was great that you were updating Emdashes from Austria as I was actually sitting in the Skirball Center at the Conference itself!
I had a notion to tweet, but every time I got out my iPhone I got a wave of disapproving thought-glances that implied, "Oh, you multitasking ADD-addled Gen X and Y! [I am Gen X, btw.] You just can't stay away from your smartphone when the rest of us are sitting still, nodding thoughtfully and actually becoming smarter!"
So I didn't do much digital reporting, because I'm very sensitive to societal disapproval, but took PAPER NOTES that I will transcribe later tonight.
Oh, that is hilarious, on so many levels. Like for example, this used to be -- and still is -- a Conference/Summit dedicated to the future. So to run into that attitude there of all places ... ! It boggles the mind.
Also, now I understand what Rachel Sklar puts up with! She must be tough as nails....
I was sitting near Rachel at a New Yorker Festival event a year or two ago when she got reprimanded by an attendee for typing on her laptop during the event. But surely everyone's used to seeing bloggers during this sort of event by now. I think iPhones are a delicate in-between because it really did look like I was rudely texting; how would anyone know I was trying to file?