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Michael Jackson, 1958-2009

Filed under: In Memoriam Tagged: Garrison Keillor, In Memoriam, Jamaica Kincaid, James Lardner, Michael Jackson

Martin Schneider writes:

He didn't have anything to do with The New Yorker, of course. But it seems silly to try to ignore his death.

The first mention of Michael Jackson in The New Yorker that I could find is from July 14, 1975. It was in the Talk of the Town and it had two parts, both by Jamaica Kincaid (I think).

The first part is a report describing a press conference in which the Jackson family announced that it was leaving Motown to join Epic. The report emphasized the businesslike nature of the announcement: "No Jackson said anything sentimental."

On the same page appears a kind of fan letter, this one explicitly by Jamaica Kincaid, that intentionally echoes the kinds of fan letters he received every day—one of which is actually quoted, in full, in the item.

Such reports are full of heartbreaking things. Any reference to the color of his skin, the shape of his nose, the kinkiness of his hair, his affinity for children or animals, his marriage prospects—all of these things are heartbreaking, and Kincaid refers to all of them.

Possibly the most startling bit of information is that Jackson once appeared on The Dating Game. (It's true.)

In the July 9, 1984, issue, there is a whimsical, lightly acerbic Talk piece by James Lardner about the existence of a Michael Jackson Hotline.

In the March 14, 1988, issue, there is a tranquil Talk piece by Garrison Keillor (uncredited, in the issue) about observing Jackson rehearse a rendition of "Man in the Mirror" for the Grammy telecast. This one is not heartbreaking. This one is about Jackson in his element, as a supreme entertainer, and it emphasizes his confidence and ease among people.

I don't have much to say about him. I was never a fan in any real sense, but I admired the skill. He was a genius; he was damaged. Everyone knows it. A friend today asked me if he was the most famous person in the world. Was he? He might have been.

On the New Yorker blog, Ben Greenman gives his thoughts.

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
Proposal: A better-looking MetroCard (for A Brief Message)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: Does a redesign of The New Republic mean a change of tune? (for Print)
Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
Review: Charles Dickens by Jane Smiley (for Newsday)
Review: Jayber Crow by Wendell Berry (for Print)
Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Report: The New Yorker's redesigned website (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Review: The Complete New Yorker (for Print)
Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Interview: Edward Gorey (for Newsday)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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