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Jonathan Taylor writes:
Just kidding! Everyone loves New York Review Books Classics, and for good reason. Few things are as unreservedly worth celebrating as the 10th anniversary of this publishing project, which is single-handedly reshaping the understanding of the world's recent literary past. By the way, their cover design scheme has become so well-known, does anyone remember that, a whole decade ago, it was rather different? Here's my edition of J.R. Ackerley's My Father and Myself, alongside the current one:
Anyway, Martin's got the New Yorker Festival covered, but NYR Books are having their own anniversary festivities through November—in New York, London and both Cambridges—listed here, including:
Incidentally, Timothy Snyder is the author of a recent eye-opening article in The New York Review of Books about where, and how, the greater part of the Holocaust took place, that should be a must-read for all humans.
And the mention of Malaparte reminds me the great work of another series, a little lower-profile, but whose distinctive jackets are equally signals of worthy reading you might not otherwise know about: Northwestern University's European Classics. They brought Malaparte's Kaputt to my bookshelf before New York Review Books yet existed, as well as another eventual NYRB title, Stefan Zweig's Beware of Pity.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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