Emdashes—Modern Times Between the Lines
The Basics:
About Emdashes | Email us
Ask the Librarians
Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Features & Columns:
Headline Shooter
On the Spot
Looked Into
Sempé Fi: Cover Art
Challenge: Connect Random Stuff in My Head to the Magazine
Filed under: The Squib Report Tagged: apostrophes, Lou Reed, Walter Kirn
Martin Schneider writes:
Oh boy, my favorite parlor game.... also called "How Emdashes generates posts."
1. Last night I saw Jason Reitman's movie Up in the Air, and I enjoyed it very much. It certainly did seem like a movie that teed up its subject perfectly and then whacked it, which I'm not sure is quite the same thing as being a great movie, but ... I'm quibbling, it was very good. I've spent a lot of time in airports recently, so I had to see it before all that useless knowledge wore off.
Connection: The movie was based on a book by Walter Kirn, who had a story published in The New Yorker in 1997.
2. Lou Reed and Ben Syverson designed and programmed an iPhone app called Lou Zoom. I installed it on my iPod Touch. What does it do, you ask? Why, it takes your Contacts list and renders it in much larger type. This accomplishment does rank below revolutionizing American avant-garde rock and roll, but not many things are as monumental as that. Plus it has to be the coolest way ever to tell the world, "I'm OLD! I can't read this small type anymore!" (And you know, I think the app is very good. I do prefer looking at it to the default Contacts app.)
Connection: The New Yorker published excerpts from Lou Reed's tour diary in 1996.
3. Oh man, is this picture great:
Connection: The New Yorker hardly ever misuses apostrophes, making this sign the anti-New Yorker.
Comments
Nice post, Martin. I haven’t seen the movie, but I gotta read Kirn’s story.
With regard to the sign, I had to look up P.K.’s — and it surprised me that they made the list, as did “racist’s” (sic), though I think anyone writing about The New Yorker counts as “high fullutent.”