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Pollux writes:
What does Rea Irvin look like?
In this post on the New Yorker site, Chris Ware explores the difficulties of finding a photograph of the New Yorker’s first art director.
Although Irvin’s legacy remains clear and apparent, Irvin the man remains a shadowy, elusive figure. Any student of Irviniana will share the same gratification that Ware experienced when he found a mysterious photograph of Irvin on the beach, in a meditative pose. Irvin turns out to be “an affable, rotund chap, with an unruly swoop of hair.”
With the benefit of finally knowing what he looks like, Ware depicts Irvin on an upcoming anniversary cover.
What does Rea Irvin look like? Now we know.
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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