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Pollux writes:
“But how so transparently charming a novel can also exercise a peculiar allure and even emit disturbing danger signals may serve as an entrée into post-war American culture…” So writes Stephen J. Whitfield on his landmark commentary on Salinger’s The Catcher in the Rye.
Stephen J. Whitfield’s article for the December 1997 issue of the The New England Quarterly, called “Cherished and Cursed: Toward a Social History of The Catcher in the Rye,” is considered one of the Journal’s most popular articles.
And, in light of Salinger’s recent passing, Louis Menand will be interviewing Whitfield in a new podcast.
Read Whitfield’s fascinating article, listen to the podcast, and join the discussion today!
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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