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Pollux writes:
“But how so transparently charming a novel can also exercise a peculiar allure and even emit disturbing danger signals may serve as an entrée into post-war American culture…” So writes Stephen J. Whitfield on his landmark commentary on Salinger’s The Catcher in the Rye.
Stephen J. Whitfield’s article for the December 1997 issue of the The New England Quarterly, called “Cherished and Cursed: Toward a Social History of The Catcher in the Rye,” is considered one of the Journal’s most popular articles.
And, in light of Salinger’s recent passing, Louis Menand will be interviewing Whitfield in a new podcast.
Read Whitfield’s fascinating article, listen to the podcast, and join the discussion today!
Hello! We are media enthusiasts and culture addicts—not to mention classically trained (as we like to say) professional journalists. This is our collection of generally civilized conversations about magazines, movies, politics, punctuation, and other things that stir us.
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We welcome tips, questions, and comments, and are always looking for ardent new contributors who care about letters (postal, typographical, admiring, literary, and tough-love). Here's how to contact us.
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Emdashes, founded in 2004, is currently written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. (Unsigned posts through October 2008 are by Emily Gordon.)
The site is designed and maintained by House of Pretty and illustrated by Jesse Ewing for Inkleaf Studio. Additional drawings are by Carolita Johnson and Pollux (who also draws our daily comic, "The Wavy Rule"). The kissable Emdashes logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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