Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
Ask the Librarians archive
About Emdashes | Email us
Features & Columns:
Headline Shooter
On the Spot
Looked Into
Pollux writes:
You’ve seen it in the news a lot recently. You’ve seen it online. It graces the sides of unsafe oil rigs. It’s the BP logo.
The sunburst logo debuted in 2000 in an explosion of green, white, yellow. The logo unveiling was accompanied by mythological references to Helios, the Greek god of the sun (and the father of Phaƫton, who irresponsibly set the earth on fire).
Greenpeace rightfully mocked the logo after its debut. Margarit Ralev writes about an incident in which Greenpeace handed out fake copies of the International Herald Tribune at a summit in Brussels.
The newspaper included a satirical BP advertisement that proclaimed: “When we greened our identity, we felt confident that cosmetic changes would be enough.”
Corporate logos are tied to identity, but they reveal nothing about a company beyond the image they wish to project. Cosmetic changes are meaningless without management, structural and safety modifications that would have avoided, for example, the Deepwater Horizon disaster. When dictators come to power, they change flags, coins, country names, and city names, and care much less about improving the lot of their people.
Cosmetic changes are simply easier. It’s much easier to change one’s stationary than it is to reform Station 42872 (“Deepwater Horizon”).
And now the Gulf of Mexico isn’t seeing friendly sunrays of green and yellow, only an ocean of fire, gooey emissions, and dead porpoises. We don’t see sunbursts on the news, only burst pipes.
Star Wars’ evil Galactic Empire also had a logo:
Perhaps it’s time for BP to perform another redesign:
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Everything you tell or send us is off the record unless we ask for your permission to use it.