Martin Schneider writes:
Watching Mad Men the last two weeks ("Public Relations" and "Christmas Comes But Once a Year"), it's been a shock to see how thoroughly its creators have used the plot point of a new office environment as an opportunity to pivot from what I've been calling the 1950s/"Sinatra" side of the 1960s to something closer to, say, Swinging London, not to mention Woodstock. I had once assumed that the show would find this transition difficult—at this point, I think this show can do anything.
The sight of the airy, sleek, symmetrical, somewhat plastic new SCDP office, with its Eero Saarinen furniture and Op Art wall decor, puts me in the mind of a possible key influence none of the smarties I read at Slate or Vanity Fair have mentioned—yet. I refer to Jacques Tati.
At the Awl's "Footnotes of 'Mad Men,'" Natasha Vargas-Cooper, excited about the new relevance of infidelity lyrics from "How to Succeed in Business Without Really Trying," doesn't seem to notice the fairly obvious Tati reference implied by a resonant screenshot of the show (I assume) she has posted. That is, this picture:
Hello! I’m Emily Gordon, an editor, critic, copywriter, and pre-web internet nut. Emdashes, born in 2004, spent many years as a New Yorker fan blog. The project garnered some nice compliments and press.
The blog’s now treading the territories of punctuation, publications, movies, design, and other things that stir me.
Over the years, I’ve worked with a brilliant brigade of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
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