This site turned eight at the new year, which is almost a million in internet years. What have we been doing with ourselves? After a couple of years in Chicago writing theater reviews and Groupons, I’m back in New York, getting to work with longtime hero Jen Bekman at 20×200 and living in hilly and historic Peekskill with wonder duo Todd Londagin and Merideth Harte. Co-Emdasher Martin Schneider is writing Box Office Boffo, Paul Morris (a.k.a. Pollux) is doing a tremendous amount of fun and productive things—take a look at his Pinterest, for one—and the erudite Jonathan Taylor is grad-schooling and writing.
Probably because my 20×200 bio links here, I’ve gotten a few emails asking when we’re going to start posting again, already. In 2012, I made a goal to get to Gmail Draft Zero. So how about getting to Blog Draft Zero in 2013? Look for posts we saved and forgot to finish, essays just missing that one copyright-free image, and cartoons that want only tender loving formatting. Our unofficial motto, after all, is “Old news is good news.” And, of course, there’s a whole world of symbols and punctuation and hieroglyphs and pictograms and semaphores to attend to.
Happy new year. And thanks for visiting, as always!
Hello! I’m Emily Gordon, a content strategist, critic, and copywriter. Emdashes, born in 2004, spent its formative years as a New Yorker fan blog. (The project garnered some nice compliments and press.) It’s now a collection of conversations—generally civilized—about punctuation, magazines, movies, design, and other things that stir me.
Over the years, I’ve worked with a small army of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
Looking for The New Yorker magazine? Kudos on your classy taste. Here’s how to contact The New Yorker.
The original Emdashes pencil logo was designed by Jennifer Hadley, based on a 1943 Dorothy Gray ad.