It is just so good. So good, in fact, that it threatens to be a CGI—a Completely Good Issue, from GOAT to reviews (I’ll leave out the Caption Contest since there’s an element of randomness and bafflement to that)—and there’s been more than one CGI in the past few months. What’s more, there’s a pleasing plethora of women contributors to this issue, and between Elizabeth Kolbert’s transcendent picture-book review (with a kicker that will squeeze your heart like a fistful of Play-Doh) and Margaret Talbot’s Bratz story, there appears to be some kind of writerly celebration going on. A gleeful Munchkin song on the departure of the Wicked Witch of the West? Whatever it is, it’s music to my ears. All that’s missing is Nancy Franklin—as the DJ says in Valley Girl, “Like, come back soon, y’know?”
Hello! I’m Emily Gordon, an editor, critic, copywriter, and pre-web internet nut. Emdashes, born in 2004, spent many years as a New Yorker fan blog. The project garnered some nice compliments and press.
The blog’s now treading the territories of punctuation, publications, movies, design, and other things that stir me.
Over the years, I’ve worked with a brilliant brigade of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
Jennifer Hadley designed the original Emdashes pencil logo, based on a 1943 Dorothy Gray ad.