Emdashes. Modern Times Between the Lines.
Best of Emdashes: Hit Parade
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The December 4 Issue Is Scaring Me
Filed under: Pick of the Issue Tagged: Elizabeth Kolbert, Margaret Talbot, Nancy Franklin
It is just so good. So good, in fact, that it threatens to be a CGI—a Completely Good Issue, from GOAT to reviews (I’ll leave out the Caption Contest since there’s an element of randomness and bafflement to that)—and there’s been more than one CGI in the past few months. What’s more, there’s a pleasing plethora of women contributors to this issue, and between Elizabeth Kolbert’s transcendent picture-book review (with a kicker that will squeeze your heart like a fistful of Play-Doh) and Margaret Talbot’s Bratz story, there appears to be some kind of writerly celebration going on. A gleeful Munchkin song on the departure of the Wicked Witch of the West? Whatever it is, it’s music to my ears. All that’s missing is Nancy Franklin—as the DJ says in Valley Girl, “Like, come back soon, y’know?”
About us
Hello! We're a small band of culture writers, editors, and artists based in New York and Los Angeles. Emdashes, which spent its formative years as a New Yorker fan blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Tell me more
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Reviews: theater writing (for Time Out Chicago)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
Blogroll highlights
- The Beautiful Sentence
- Box Office Boffo
- World of Pollux
- Jonathan Taylor
- Carolita Johnson
- Songs for blogroll lovers (more links)
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- Get a t-shirt at the Emdashes store
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Comments
Yeah, I noticed that too! Hmmm. The only thing that brought me down was learning about that “Happy to be me” doll! Not that I loved Barbie either. I was more of a “Dinah” girl. She looked kind of like The Bionic Woman.
I especially liked the juxtopositioning of the profiles of Bob Fass and Lou Dobbs. The contrast—not only between the two individuals but between the cultures into which each falls, and the societal-political transitions that each represents—is as timely as it is poignant.
The bratz story was a great read (feels like that has been few and far between for me lately, at least in this magazine), but the end of the Kolbert’s picture book article made me roll my eyes to kingdom come. Goodnight Moon was a favorite of mine as a young kid, and I’m afraid that now, whenever I read it to my own kids, I will fear my mortality all over again. Thanks, Liz!