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Flake and Fruhlinger, Two Goofball Geniuses, on Newyorker.com

Filed under: Seal Barks Tagged: cartoons, comics, Drew Dernavich, Emily Flake, interviews, Josh Fruhlinger, newyorker.com, Zachary Kanin

I've rhapsodized about Josh Fruhlinger's The Comics Curmudgeon, which does to "Mary Worth" what Gawker does to Julia Allison; I've raved (as long ago as 2005!) about Emily Flake's diabolically bee-stung comic "Lulu Eightball." Now, they're both interviewed at the Cartoon Lounge on newyorker.com, which is a delightful surprise.

Here's the interview with Josh, by Zach Kanin; here's Drew Dernavich in conversation with Emily. My 5,000 hats of Bartholomew Cubbins are off to both of these beautifully warped minds, at all times.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

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Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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