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Stamp of Good Greeting: Trebay Hails the Snail

Filed under: Headline Shooter Tagged: Greg Clarke, Guy Trebay, holidays, The New York Times, The New Yorker

Jonathan writes:

Since I first moved to the vanished city where I picked up--nay, purchased--a Village Voice each week to read his column, Times fashion hound and sometime Talk contributor Guy Trebay's words have accompanied me along the borderlands between two New Yorks, the one I know and the one I don't yet.

Still braced by Emily's encyclical on the care that can add grace to regular communication at little cost, I was happy to see Trebay's declaration of faith in physical Christmas cards, be they inspired divinely (from a holiday fair at Brick Church on the Upper East Side), or Divinely (by John Waters). Trebay is one of six writers in the Times identifying "The One Luxury I Won't Do Without" this year (illustrated warmly by Greg Clarke, who has done at least one lovely New Yorker cover that I know of).

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Who we?

Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

Some writing by Emily Gordon

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded and micromanaged by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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