Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
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On the Spot
Looked Into
You know Malcolm Gladwell has become fully tippy, or should I say pointy, when Sports Illustrated is tossing off references to him as if they were so many dodgeballs. In a piece about Shaquille O'Neal and how he's "single-handedly changed the culture of the franchise" (as a carrier, as it were, ha), Chris Ballad muses:
Call it the Shaq Effect, or, in honor of author and New Yorker writer Malcolm Gladwell, the Shaq-ing Point—that precise point in time at which a decent NBA player becomes a good one, perhaps identifiable as the first moment when O'Neal draws a double team that creates an eight-foot halo of wide open space for his teammates.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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