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'Cause I love you so, and I'll never let you go. From Yahoo News:
Harper Lee writes rare item for O magazine
MONROEVILLE, Ala. - Harper Lee, author of the novel "To Kill A Mockingbird," has written a rare published item — a letter for
Oprah Winfrey's magazine on how she became a reader as a child in a rural, Depression-era Alabama town.
The 80-year-old Pulitzer Prize winner quit giving interviews about 40 years ago and, other than a 1983 review of an Alabama history book, has published nothing of significance in some four decades. That makes her article for O, The Oprah Magazine, something of a literary coup for the television talk show celebrity.
In a letter for the magazine's July "special summer reading issue," Lee tells of becoming a reader before first grade: She was read to by her older sisters and brother, a story a day by her mother, newspaper articles by her father. "Then, of course, it was Uncle Wiggly at bedtime."
She also writes about the scarcity of books in the 1930s in Monroeville, where she grew up and where she lives part of each year. That deficit, combined with a lack of anything else to do — no movies for kids, no parks for games — made books especially treasured, she writes.
"Now, 75 years later in an abundant society where people have laptops, cell phones, iPods, and minds like empty rooms, I still plod along with books," she writes.
Via the Daily Media News Feed.
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A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Comments
I thought Mallon's review of the biography of HL was mean-spirited. I mean, we get it already. But he really shut down the possibilities of the book . . . and who needs that?