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No indeed; the longtime New Yorker Profile artist is being Volterraized. In Utah, some people (at the Brigham Young University Museum of Art) just don't like nudes:
Silverman, who chuckled about the religious university eliminating his nudes from the show, said he began doing nudes by visiting burlesque houses.
"Nudity in public life is relevant," he told the Deseret Morning News.
BYU officials take exception to that view, maintaining that nude illustrations are irrelevant to the exhibition that will open July 29.
Update: Another local profile of Silverman. Nudes not included.
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Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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Comments
This is a distorted and sensationalist story. A phone interview with a dyspeptic sounding reporter (can’t remember his name) for the Desert News pasted together remarks from differing contexts (that sad rebuttal, I know) that seemed to be exposing an exclusion by the Brigham Young Museum of Art to my drawings of the nude. No such ban was imposed, nor were any drawings excluded from the work offered them for the retrospective exhibition. I have found the museum and its staff extraordinarily sophisticated and as art historically well informed as any museums I have dealt with. This is a bored reporter’s idea of “news” and a sad commentary on a genuine dialogue about the relevance of art and social concerns.