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To Everybody at Town Hall Last Night for "My Trip to Al-Qaeda"

Filed under: On the Spot Tagged: David Remnick, events, Iraq, Lawrence Wright, politics, war

I was the one who couldn't stop coughing, though I tried to time my coughs to outbursts of laughter and onscreen gunfire. I'm not the TB guy, I promise.

Other than that, it was a stirring event, maybe something like Al Gore's slide show would be like in person plus an attractively decorated set, but Wright has a significantly more engaging stage presence, stern and beseeching at once. I think Martin, who accompanied me, will post a review, since we both took notes but I believe his were more legible. Steer clear of Lawrence Wright's CIA contacts, Nosey Parker New York Times!

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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