What inspired you to embark on a career in the media?I love that expression “the year dot.” We should really reintroduce it over here.
I was a newspaper and magazine junkie from the year dot. My father was a film producer and I have always loved the narrative drive of the great non-fiction stories. Truman Capote’s In Cold Blood made me see what a great literary journalist could do with the facts.
How do you feel you influence the media?
At The New Yorker and Vanity Fair we constantly set the agenda for TV discussion and editorials. It was great to see how you could help to move the media in a new direction. At Vanity Fair I was proud of publishing William Styron’s piece about his manic depression. He turned it into a bestseller with the same title as the piece, Darkness Visible.
What is the proudest achievement in your working life?
Waking up the sleeping beauty of The New Yorker magazine. It was a very difficult challenge to modernise the grand old lady of American letters.I read all the weekend papers when I come here. My favourite magazines are still The New Yorker and The Spectator, which I subscribe to in the US. I still enjoy Vanity Fair, love Foreign Affairs in the US and The Week in both places.
What are your weekend papers? And do you have a favourite magazine?
Hello! I’m Emily Gordon, an editor, critic, copywriter, and internet lover since 1992. Emdashes, born in 2004, spent many years as a New Yorker fan blog. The project garnered some nice compliments and press.
The blog’s now treading the territories of punctuation, publications, movies, design, and other things that stir me.
Over the years, I’ve worked with a brilliant brigade of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
The original Emdashes pencil logo was designed by Jennifer Hadley, based on a 1943 Dorothy Gray ad.