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Not to Mention Looking at Reviews More Readingly

Filed under: Headline Shooter Tagged: Alex Ross, books, Christoph Niemann, events, music

Geoff Dyer reviews Alex Ross's new book, The Rest Is Noise: Listening to the Twentieth Century. (The illustrations accompanying the review are notably stunning, too; not surprisingly, they're by Christoph Niemann.)

I saw somewhere that Ross is reading from the book tonight at the National Arts Club, which sounds like fun. I don't have a copy of the book yet, just the elegant pamphlet that FSG put out for the BEA, but I'm looking forward to reading it; I think Ross's critical writing is tops.

2 comments

Comments

You mean THE Geoff Dyer? The one I caught throwing pebbles at my dog in Bordeaux? How nice he's come far in the world since then! How happy I am for him, and dogs everywhere! :)

carolitaOctober 31, 2007

A former co-worker of mine had the hots for Dyer; she would be jealous that you know him so well!

MartinNovember 01, 2007

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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