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Save the Date: New Yorker Summit, May 5

Filed under: New Yorker Festival Tagged: Franklin Delano Roosevelt, Geoffrey Canada, Howard Dean, Malcolm Gladwell, Nassim N. Taleb, Neera Tanden, New Yorker Summit, Richard Holbrooke, Robert Shiller

Martin Schneider writes:

In lieu of the regular New Yorker Conference that has taken place in early May the last two years, The New Yorker will be hosting a somewhat more urgent event befitting our nervous times. Called "The Next 100 Days," the New Yorker Summit evokes FDR's first 100 days in office in 1933, an implicit nod to the daunting challenges we face in 2009.

Quoth the magazine: "The New Yorker convenes today's most prominent thinkers and decision-makers to address the unprecedented challenges facing the new Administration, and to detail their visions for the future, in discussion with New Yorker writers."

Information:
May 5, 2009
Skirball Center for the Performing Arts, New York University
Speakers: Robert Shiller, Malcolm Gladwell, Richard Holbrooke, Geoffrey Canada, Neera Tanden, Howard Dean, Nassim N. Taleb
Tickets: $350 (on sale March 23, 2009)

More information to come in the March 30 issue.

2 comments

Comments

In other steep-priced conferences we wish we could go to: Jon Lee Anderson and TNY Senior Editor Amy Davidson are both speaking at the March 20-22 Neiman Conference on Narrative Journalism in Boston.

JonathanMarch 16, 2009

do you have any tickets left for may 5, 2009 for malcolm gladwell? fran bowman

fran bowmanApril 25, 2009

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Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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Some writing by Emily Gordon

Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
Proposal: A better-looking MetroCard (for A Brief Message)
Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
Review: Does a redesign of The New Republic mean a change of tune? (for Print)
Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
Review: Charles Dickens by Jane Smiley (for Newsday)
Review: Jayber Crow by Wendell Berry (for Print)
Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Report: The New Yorker's redesigned website (for Print)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Review: The Complete New Yorker (for Print)
Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Interview: Edward Gorey (for Newsday)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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