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Filed under: Headline Shooter Tagged: awards, cartoons, David Remnick, Dorothy Parker, Dorothy Parker Society, Drew Dernavich, events, Harry Bliss, magazines, Mick Stevens, movies, P.C. Vey, poetry, Shouts & Murmurs, YouTube
I can’t help it. The Shouts & Murmurs pages of the New Yorker is standing on the pinnacle of sly humor these days. After last issue’s take on crushes (all of which I’ve experienced), and this issue’s review of another aspect of my life, there is no way to make it any better in the next issue. This particular section of the magazine has always been hit-and-miss with me – I’m often into it for just one paragraph before moving on – but they’ve now laid purchase to at least three solid, future months of my reading time. Genius.Beattie’s Book Blog loves this Harry Bliss cover. How’s your thumb, Harry?
Speaking of cartoonists, I’m extremely glad to report that three cartoonists from The New Yorker are nominated for the National Cartoonists Society’s Reuben Award for Gag Cartoons: Drew Dernavich, Mick Stevens, and P.C. Vey. I might have my preference, but whichever way this one goes, it’s pretty much in the bag for the magazine. Winners will be announced May 26, so place your bets, you crazy gamblers.
Also, I’m pleased that someone has assembled this bunch of video clips from the ’20s, which will help set the mood for the next party with the Dorothy Parker Society, which is coming up on June 4 and will be fizzy fun. Go! Here are the details, direct from Parker Society impresario Kevin Fitzpatrick:
The 40th anniversary of Dorothy Parker’s death is June 7. On June 4 the DPS is having an event to mark the anniversary is true Parker style: with a party at a Communist bookstore. It is Monday, June 4, at Revolution Books, 9 West 19th St, 6:30 to 8:00 p.m. …. There will be talks, readings, and of course, drinking. It is FREE and open to the public. Why a Communist bookstore? Just listen when I read from Mrs. Parker’s FBI file!So Adam Moss is many things, but the new David Remnick? What does that even mean? New York is like Spy’s beautifully designed new website along with some Vanity Fair, New York Observer, and various beloved periodicals of New York’s past stirred into a bright smoothie, and it’s loads of fun. I read and use it often, if not faithfully. But would anyone want a DVD of the entire contents of the present-day New York, to cherish, cite, and reread? That’s not what it’s for, and that’s all well and good. But it’s an absurd comparison and I won’t countenance it. Thank you, but the current David Remnick suits us very well.
Speaking of much-missed publications, won’t someone please bring back those weekly single-page photocopied listings of movies and poetry readings that you used to be able to buy at newsstands for something like a quarter and pick up at good bookstores, respectively? The web and the barely tolerable Moviefone and Fandango still can’t satisfy the city’s critical need for both. When you’re walking down the street, you don’t want to press buttons through endless menus—you just want to know what’s playing kinda near here pretty soon, or who’s reading this week. Perhaps the newsletters could be digital holograms for the 21st century, hovering at will till you dismiss them and head for your cinematic or poetical fix.
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Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Reviews: theater writing (for Time Out Chicago)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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Comments
Hello, I’m a New Yorker fan in China, and your blog give me lots of stuff about New Yorker, so really thank you. I tried to read the fiction of each issue of New Yorker to improve my English. And that’s really enjoyment. :)
Would me tell me a little bit about the history of New Yorker magazne?
Hi there! Thanks for reading the blog—glad it’s not, uh, disapproved of in China. Here’s a great place to start for New Yorker history; I also highly recommend Ben Yagoda’s terrific book About Town: The New Yorker and the World It Made. Those should keep you busy for a while!
I’m so sorry for the “disapproved thing”in China, well, the gov should find themselves something to do, hehe, though that did embarrassed me in occasions like this - some blogger outside of China replied to my comment:”You really in China? You really can view my blog?” hehe.
Thank you for the info, I’m do busy with that now.
Yes, “Crushes” was quite good.
At first I was put off by Harry Bliss’ cover. I thought it was yet another dig at Abstract Expressionism, the kind of cartoon I’ve been seeing since I was a kid.
The Barbara Stanwyck article was very pleasant surprise.
And I just looked at a few of those Youtube videos from the Twneties and bought Ben Yagoda’s book (ninety cents from amazon).
And I have to be at work in 25 minutes.